Showing posts with label Benoit Jutras. Show all posts
Showing posts with label Benoit Jutras. Show all posts

Sunday, March 25, 2012

Thoughts on 'Alegría the Film' Soundtrack

Just look how lovely that artwork is (Source: Cirque du Soleil Musique).
I wanted to write about this album because I just received a copy with that gorgeous artwork. I originally bought the CD around 5 years ago and was pretty pissed off that the version I received was an older issue with different artwork - so now, around 7 years later I saw this image pop up and I spontaneously bought another copy from eBay.

The soundtrack for Alegría the Film was written in 1999, by longtime Cirque collaborator Benoit Jutras. The soundtrack CD is a mix of an original score, extracts from Cirque du Soleil's Alegría (of which this movie was inspired by) and several songs that include the vocals of Canadian singer Irène Marc. While some of the arrangements on this album are a little over the top, the whole score is extremely memorable, with some beautiful melodies and a few terrific songs.

The incredibly underrated Jutras is in his typical element here, creating pieces that have his signature fusion of ethnic instruments with a romantic array of strings with extremely memorable melodies. Although he borrows chords and arrangements from other shows ('Frac's Room' has the same chord progression as 'Nostalgie' from O), and his instrumentation and arrangement is occasionally innocuously sappy, on a whole the score is extremely pleasant music and functions well as a stand alone album.

The performance of Irene Marc is a little more uneven. She boasts a wonderful voice - it embodies a raspy texture which would be appropriate for the Alegría score and it really shines on the accompanying songs. My issue with her is her diction, there are about half a dozen points in the album where, due to her sultry lower register, I can't decipher what lyrics she is singing in at least a dozen places on the album. Not that it makes much difference, since the lyrics that are audible are hit and miss, sometimes sloppy and at other times a revelation. I adore the resigned and melancholic material on 'Love Leaves Someone Behind' ("Irony falls on my seeking to find/the story that leaves no-one behind") but then the absurd phrasing on 'Let Love Live' ("I wanted change, not answers to. Questions like "why. can't they get what they need?"") and the cliched 'Child In His Eyes' ("There's so much love, courage, knowledge and hope. We all live, love, and [create?] in vain") are pretty cringeworthy - but still somehow better than anything Jim Corcoran could write. In the end it's largely irrelevant since Cirque soundtracks usually have incredible melodies with disastrous libretto, it's just a shame they've come so close.

A really disappointing aspect of this album was that the songs have been bizarrely over-produced compared to the original mixing in the movie. I can't handle 'Let Love Live' and it's classic 50s porn click-track backing, and its flamboyant instrumentation of plodding piano and the giant string section. The worst bit is that there were some lovely arrangements of the song that were featured in the movie, until it was ruined by over-producing. The same can be said about 'Child In His Eyes', which originally was a subtle acoustic rendition with an accordion in the credits, now features an electric guitar duel in the middle and synths run wild throughout. My major gripe with this soundtrack is that it does not include the original haunting and ineffably beautiful  rendition of Alegría that is featured in the movie - instead the album opens with a gloomy acoustic rendition, which is pretty ironic considering the meaning of Alegría is happiness, elation and jubilation. While the instrumentation is okay, Marc ambitiously tries to conquer two whole octaves and falls atrociously short of the mark (hah).

The uplifting instrumental 'Let Love Live' and the elegant and subtle 'Herv' are highlights of the album, and the finest moment of the album goes to 'Love Leaves Someone Behind', a wonderfully evocative ballad lamenting the consequences of love. While the lyrics of 'Mountain of Clothes' are encrypted in Marc's joyous, rocking wails, the song is also noteworthy for its awesome melody and light rock beat.

Overall the soundtrack is enjoyable. It's regrettable that some of the songs have been overproduced and the lyrics are a bit bland and innocuous, but there are some beautiful Jutras melodies  and a few really catchy songs. The CD has been out of print for about 10 years, but if you come across a copy of it for $4 on eBay, it's totally recommended.

Monday, September 26, 2011

House of Dancing Water Soundtrack - Review

If I based reviews on cover art, this would get 5/5.
The House of Dancing Water soundtrack was sneakily released in June to little fanfare, and since no one has written a review yet I thought I might as well.

I'd been eagerly waiting for The House of Dancing Water soundtrack since the shows opening last September. Directed by Franco Dragone, the multi-million dollar water show is dubbed the "worlds most spectacular extravaganza", but I was most enthusiastic to see that Benoît Jutras was once again collaborating with a show. Jutras' masterful method of composing music usually includes beautiful piano melodies, synthesised strings, samplings and usually a random erhu somewhere. This is pretty much the case with The House of Dancing Water but the soundtrack falls short on some of his previous offerings.

For this soundtrack, Jutras also seems to have taken influence from every single show he has ever written for, and just thrown it into here. The sound drips of Le Reve, Borderline, Francesco Il Musical, and every single score contribution to Cirque du Soleil. For his new material, parallels can lead to some Hollywood composers including Danny Elfman and Hans Zimmer. This soundtrack is solid, but overall it's very generic background music, stamped with Jutras' typical minimalist vocals and piano, or heavily synthesised instruments that draw a lot of similarities between his previous work.

The pinnacle of the album is 'Swans', which is a vibrant and romantic paean of otherworldly beauty that swells between the simplicity of piano and guitar before culminating in a spine-tingling finale involving the choir and orchestra. 'Chandelier' subtly builds tension before developing into a harsh synthesised and rock tune with enough string arpeggios to make you dizzy. 'Boat' is a rhythmically driven mixture of dramatic male choir and epic string arraignments which gives a shout out to Pirates of the Caribbean, and the cheeky and flamboyant mixture of brass and pizzicato strings piece 'Fountain Dance' just screams Nightmare Before Christmas. 'Pyramids' is also worth a mention, the most original piece on the album, a waltz with a flurry of pizzicato strings which intersect each other and mix wonderfully with the male singer and his harmonies.

Beyond that the pieces are pretty boring, generic, and don't really develop at all. There seems to be a lot of Jutras' signature 'action' (read: chaotic and boring) music, which Jutras has taken the liberty of looping instruments endlessly before throwing in a motif here and there. Most of them ('Pagode', 'Flags', 'Journey', 'War') sound like inferior drafts that were thrown out from his other shows with similar scenes. Others are just stamped with his usual minimalist sound where nothing really happens ('Prisoners', 'Wabo' - by the way, who named these tracks? They're almost as bad as Sexy Web-). It leads you wanting to skip a significant portion of the album. The ending is a bizarre and surreal experience which basically sounds like it was ripped straight out of Nintendo's Mario Party.

My main issue with The House of Dancing Water is its main motif. The tune is beautiful, vibrant, and distinctly draws on Asian tonalities, and is memorable thanks to it making an appearance on half a dozen or more tracks in a variety of incarnations. However, the theme has already been included in three other Jutras albums, two of them commercially available. One is Robert Lepage's 2003 film The Far Side of the Moon, the other being the 2005 production Le Reve. I adore this melody, but its extremely disappointing that Jutras couldn't bother to come up with new material - the opening track 'Dancing Water' is actually a straight rip of 'Samurai' from the Le Reve album with some skittering percussion tacked on at the end - it's not even a new arrangement. Hopefully this is the last time it makes an appearance in any Jutras show.

Overall, I like the soundtrack but I don't love a huge amount of it. The score has its moments, most notably with the gorgeous 'Swans', and a few other pieces, but the whole album is just to blasé being generic background music, under the guise of Jutras' typical minimalist vocals and piano, or crazy chaotic work that I usually stay clear of when I listen to Jutras' work. The major disappointment here is the once again recycled main theme. If you're an avid Jutras fan, go ahead and make the purchase, you'll find things to like. But if you're not, I'd recommend you take a look at Le Reve or Quidam first so when you tackle this mess you can shift through and find the gold.

'The House of Dancing Water' soundtrack by Benoit Jutras was released June 10th, 2011. Australia can download the soundtrack from iTunes for $16.99.

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Bonus! Here was our initial reaction to the Mario Party like finale piece.
[talking about the finale track 'In Joy' ]
(14:40:05) lunawaif: #16 is....ugh.
(14:40:55) lunawaif: Christmas music? cheesy entertainment themes? marching band jazz improv?
(14:42:37) sfogviper: FUCKING CHRIST WHAT THE FUCKING FUCK!!!!!!!!!!!!!!!!!!!!!!!!!!!!​!!!!!!!
(14:42:45) sfogviper: #16 STARTED AND I THOUGHT iTUNES WNET IN RANDOM
(14:44:35) MSam: LOL
(14:44:42) MSam: AHHAHAHAHAHAHAAAAAAAAAAAAAA
(14:45:45) sfogviper: WHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA​AAAAAAAAAAAT
(14:45:50) sfogviper: NOW IT"S GONE TO THE CARRIBBEAN
(14:46:00) sfogviper: OMG IT DOES SOUND MARIO
(14:46:24) MSam: I KNOWWWWWWWWWWWWWWWWWW
(14:46:40) lunawaif: I rest my case...whatever the fuck it was.
(14:47:49) sfogviper: DELETED