Toruk - The First Flight by Cirque du Soleil [Source: Amazon.com] |
Where to even begin describing this unexpected delight?
After a lukewarm performance on Joya, I didn’t have high expectations for Toruk. If I were asked to pick a favourite Cirque du Soleil
soundtrack, the scores of Bob et Bill (Guy Dubuc and Marc Lessard) would never
have been among my choices. Now, I would consider Toruk ranking among some of the most listenable, and ranking among one of the best.
Toruk succeeds
where Avatar didn’t - it
distinguishes itself beyond the broad genre of ‘tribal’ music. The late James Horner wrote a surprisingly
unremarkable score for Avatar; for a
film with such acclaimed in its visuals and imagery, it certainly lacked
distinction in its musical style. I would never be able to tell you what
influences have been picked and make up the DNA of Toruk. It absolutely has a tribal feel and basis, but draws on
electronic beats, complex percussive patterns and a huge variety of voices and
instruments. Bob & Bill seem to hit their stride when it comes to creating
a more cinematic and immersive feel for a soundscape.
Typical of the pair’s work with Cirque, there is no big
ballad or grand use of themes and motifs. There are fragments of both but instead,
the compositions seem to progress through many movements within a single track.
The only caveat is that some phrases seem under-developed, but the variety is
refreshing and the result is a collection of tunes that manage to cover a lot of ground. The music feels like a fusion of works from Deep Forest albums, Tan Dun operas and Damon Albarn's scores for stage. As a little side-note for big Cirque Musique fans, this
record has a few cameos from superstars including Julie McInnes, Isabelle
Corradi and Christian Laveau contributing vocals - it’s really cute that they
contribute here.
On a whole the album is extremely unified and very
listenable – there are a few brilliant tracks that distinguish themselves. ‘Lu
Aw Navi’ is quintessential Cirque, a multi-layered percussive-electronic fusion
that builds climactically through layering and caries the central theme of the
album, and ‘Direhorses’ is an absolute revelation – a jaunty and celebratory
string arrangement that is extremely emotive and elating. The new singers to
the Cirque catalogue including Cumie Dunio and Elsieanne Caplette have
excellent voices that blend and transcend around the music, and I hope these
talented ladies end up on more Cirque recordings.
I will be interested in listening to the duo’s score for Paramour, Cirque’s ‘first’ (read: third)
attempt to break into the New York theatre scene – as it’s going to require
them to bring out some serious melodies and ballads that I wish were included
here. However, on a whole the album is dynamic, rhythmic and enjoyable, and a
terrific offering for Cirque to have in their catalogue.
Finally, we have another Cirque du Soleil soundtrack that
lifts us up and takes us to another world.
'Toruk - The First Flight' by Cirque du Soleil is available digitally on iTunes and Amazon.com, and is also available on Spotify & physical CD.
'Toruk - The First Flight' by Cirque du Soleil is available digitally on iTunes and Amazon.com, and is also available on Spotify & physical CD.
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